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Robbins would go on to become the underground rock sceneвЂ™s preeminent record producer with his Magpie Cage Recording Studio, helping to shape the sound of a number of the bands featured on this list. RobbinsвЂ™ most well-known band, Jawbox, вЂњSavoryвЂќ gained mild popularity on MTV, offering a glimmer of hope to musicians who didnвЂ™t want to write grunge songs when it was released in January of 1994. the birthplace of вЂњemotional hardcore.вЂќ The East Coast counterpart was more angular and aggressive, but no less unafraid of visceral expression, which is all on brilliant display in вЂњSavory.вЂќ The closest thing to a breakout single by J. There is another, admittedly much smaller region with a sizable stake in emo history, too: Washington, D.C. Most people equate вЂ™90s emo with the Midwestern sound popularized by bands from the suburbs of Chicago, Omaha, or Kansas City, and while that is unquestionably an integral part of the musicвЂ™s lineage, it is not the be-all and end-all. 1/94 Jawbox вЂ“ вЂњSavoryвЂќ (from For Your Own Special Sweetheart) Now, with all of the necessary caveats in place, letвЂ™s take a song-by-song trip through the definitive age of emo. Finally: This list is not ranked worst to best, or best to worst it is presented chronologically by release date (or approximate release date, when the historical release date proved impossible to nail down), from oldest to newest. And because there are simply just too many great bands to include in a list like this, I decided to only pick one song per group, though keen eyes and ears will undoubtedly notice a few different bands with shared members. No, instead I focused on the more melodic and relatively recent ends of the emo spectrum. I also did not include seminal screamo acts like Saetia, I Hate Myself, Antioch Arrow, You And I, Jeromes Dream, Pg.99, Orchid, etc., because, honestly, thatвЂ™s a whole other list unto itself.

For the 30 Essential Songs From The Golden Era Of Emo list, I opted to leave out bands who I lovingly think of as вЂњproto-emoвЂќ - that is, grandfathers of the scene such as HГјsker DГј, Rites Of Spring, Embrace, and Dag Nasty. And what better way to kick start the discussion than with a list? But letвЂ™s first lay down some ground rules.

This wasnвЂ™t when the term вЂњemotional hardcoreвЂќ was coined, nor was it when emo became a household word this was that perfect pocket of time when a specific kind of unabashedly earnest rock was able to incubate out of the spotlight and thrive amongst a tight-knit group of eager and unjaded peers.Д«etween the old-school band reunions, the classic album anniversaries, the reissues, the re-emerging record labels, and that whole #emorevival thing, now seems like the ideal time to talk about the music that made all of this stuff important to us in the first place. The Golden Era gave emo its unequivocally best songs, and it also birthed a number of bands and artists who would go on to become both huge commercial successes and revered darlings of independent music. Starting in the early вЂ™90s and sputtering out just after the turn of the century, it was an exciting period for underground punk and hardcore scenes. I like to refer to this as the Golden Era of Emo. And yet there was indeed a solid stretch of time, roughly under a decade, when everyone who cared to could wholeheartedly agree on what the hell emo actually was, and they could not get enough of it. No matter if you credit Rites Of Spring or My Chemical Romance for introducing raw, bleeding-heart emotions into the lexicon of punk and hardcore, the bands you listen to and define as вЂњreal emoвЂќ are undoubtedly among the most important to ever appear in your life. EveryoneвЂ™s nebulous identification and loose understanding of the genre is both its best and worst quality - emo is just so damn personal. TheyвЂ™ll just about all be right, too (if Last.fm is any kind of reference, anyway). Ask anyone old enough to drink what they think emo is, and youвЂ™ll get about as many different responses as people willing to answer.

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